He is also extremely quick at responding to reports by users, and by the time my review copy arrived had already posted two updates on the Steinberg web site. As usual, Philippe has been extremely busy over the last year, and there are many new features to explore. Wavelab 3's Audio Montage window provided non‑destructive multitrack audio editing complete with effects and vector automation, making the assembly of complex projects a breeze, although I/O was still limited to stereo.Īnd so to Wavelab 4.0. However, it was Wavelab 3, launched in 2000, that really pushed it ahead of the competition. By 1998 version 2.0 also added support for samplers, as well as a selection of audio analysis tools. The upgrade to version 1.5 added its Master Section with six slots for adding real‑time plug‑in effects, while version 1.6 in 1997 added CD burning to its already comprehensive list of features. Unusually in these days of team‑driven development, Steinberg's Wavelab editing package is nearly all the work of one man, Philippe Goutier - and since its introduction in 1995, it's gone from strength to strength. Does the new version 4 keep it ahead of the competition? As an all‑round package for multitrack audio editing, mastering and CD burning, Steinberg's Wavelab leads the field.
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